Tag Archives: schools

Inspiration April

by

This months our social media focus is Inspiration. We’re going along the lines of April, new and inspiring things! With this in mind, we thought we’d share what inspiration we use to plan some of our dance classes and Georgie has written a blog about it. It’s just a little introduction to the many things the TRS Teachers get up to, but it might be helpful when planning a dance lesson. Enjoy!

Written by Georgie, Manager of TRS South Kent

There are so many things you can use for your inspiration for dance classes, from the style of dance to the class topic of the term. Here at TRS we follow guidelines to help us both in our Educating Dance classes as well as our usual dance clubs.

 

You can start with the learning styles to develop your inspiration for your class. These include auditory, visual, kinesthetic (practical/learn by doing) and read write. This will help the dance teacher appeal to all pupils and their various learning styles. We also explore social inspiration and tactile inspiration alongside this. 

Visual is a popular one to use in our classes by our TRS facilitators. Using images throughout the lessons allows those who are visual learners to really grasp the idea. You can use images such as the stages of growth for a plant, the water cycle as well as lots more. Also using videos from online can be very useful and participants respond well to them.

 

For auditory inspiration you can use music, perhaps a particular song that you like or think that the participants will respond well too. Sounds like rain forest, the sea etc. would also work or you can even use some of the participants to create the sounds for the dance, using instruments, instruments they’ve made themselves or body parts like in Gumboot Dancing (photo on the right).

Tactile can be very exciting to use as inspiration, especially for younger ones. You can use different materials and express how they feel through movement, furry, shiny, slimy, rugged, squishy and so on. You can also bring in objects for the participants to explore and study like historical artefacts. Props are also used in many TRS classes and can come in all shapes and sizes, whether you buy pompoms or make your own jingle sticks, these are a great to get everyone involved. A TRS favourite is our tactile scarf. It is made from lots of different materials all tied together to make one giant scarf.

There are also a lot of practical ways to find inspiration for your dance class. These are experienced things so they are often things that are experienced elsewhere and brought into class in other ways such as current events. Fireworks (the bonfire flames in the photo on the left) is a fun theme. You may want to use certain holidays like Easter or even what’s happening around us now. For example, when The Greatest Showman came out everyone was so inspired and excited to use the ideas and music.

Styles of dance can be used as inspiration, you maybe looking at a world theme and you could explore different types of dance from around the world such as Latin, line dancing or Bollywood. Practical inspiration can be as closed or open as you want it to be when using it in your lessons or for your inspiration and it can be shown through other sorts of inspiration that is auditory, visual or tactile. 

Book Week is a great opportunity for us to use read/write inspiration. Books are always a useful tool.

Other ways to find inspiration can include things like focusing on a particular area you want to develop with your participants, for example motor skills, balance or extension. 

So as you can see there are so many ways to find inspiration for your dance class. You can also use a combination of these ideas, especially the learning styles as that way you can ensure that all your participants are gaining from the lesson. TRS teachers will always use a combination in their lessons. Start off with a focus and then you can extend and explore further.

We also love hearing your ideas at TRS, they inspire and challenge us as teachers and that always makes our classes interesting and enjoyable.

Related Images:

Moon Zoom!

by

In celebration of Science Week (this week) and Book Week (last week) I’m going to share the ideas behind one of my schemes of work, Moon Zoom! Something helpful and useful for school teachers and dance teachers looking to plan a cross-curricular dance class.

Moon Zoom was designed for Year 1 at Miers Court Primary School. They had been reading ‘Man on the Moon’ by Simon Bartram so this was the inspiration for the dance class. I added jumping as a dance focus and we talked about stamina and various health benefits throughout the term as well. You can read the original blog post here: http://www.therightstepdc.co.uk/2016/12/15/moon-zoom/ 

When planning a cross-curricular dance class, we (the Educating Dance teachers) use a process that’s very similar to that of a school teacher. We do start with a topic brainstorm and some research though. The schools give us such a varied selection of sometimes challenging subjects that we need to make sure we’re on the right track! 

My learning aims and objectives were broken down and differentiated before I continued my plan. It was important to me that I taught the class some facts about travelling to the moon, but I didn’t want to destroy the magic of the story either! I also wanted pupils to learn about choreography, experiment with how their body moves (the different ways to jump!) and to use their imagination. Other outcomes included a class dance that would be performed to friends and family at the end of term. 

Once I had the learning aims and objectives I could get on with piecing together the ideas I’d had in my earlier brain storm. I talk about these in the original blog post so I won’t go into detail, but this is the fun bit for us dance artists and we do often get carried away. To help me I had the TRS cross-curricular flow chart (this helps us structure the plan as a whole), I knew from training years ago how to structure a dance class and I also included starters and plenaries, important elements for lessons in schools. 

The first few lessons were mostly for exploring the theme, but we used almost all of the dance moves learnt and created in these lessons for the final dance as well. One of the things we did was a journey dance. I love improvisation journeys and my blog, Improvisation, says more about them. This improvisation was for our warm up from the second lesson and it was about how Bob (the astronaut) went from his house to the moon. Along the way the dancers had to show how Bob could cycle, click the engine on and move as though it were rumbling beneath them and look out at the stars in all the space. 

As the lessons progressed we included short rehearsal times so that the class could remember what they had done before. As they were year 1 I included a lot of improvisation so rehearsal was mostly to remember sequences rather than movements. 

I also introduced Year 1 to choreography. Although I do choreography from Year R, this group hadn’t done any before. We did alien movements, something deliberately very abstract, and I gave them lots of pictures from the book for inspiration. They only had to choreograph one movement each and I structured the main task (choreograph a motif) into lots of short tasks to make it easier for them. I was very pleased with the result and Year 1 were very proud of themselves. 

The final few sessions were for structuring the dance. This involved putting together all the elements learnt and rehearsed in previous weeks. Each group performed separately, but also as a whole class within the dance. There was even a gigantic rocket shape and a bow to finish! 

As well as teaching cross-curricular dance, we provide CPD for school teachers to give them the confidence and tools to teach really good cross-curricular dance classes themselves. Find out more here: CPD for School Staff

 

Related Images:

Motor Skills Part Three

by

The third and final blog post in my motor skills series… a few things to try!  If you missed them, please check out the previous blogs posts…
 
Section One: Gross Motor Skills 
Section Two: Fine Motor Skills
Section Three: How to Maintain and Improve Motor Skills With Dance (this section)
 
Some things to try! 
 

Use a giant elastic in a circle. The fact that you’re dancing as a team gets everyone excited and they forget themselves. This generally increases the size of movement at any age or ability and therefore is great for gross motor skills. The fact you’re also holding onto the elastic is great for strengthening fingers and, therefore, fine motor skills too. 

 
There are plenty of things to do with a giant elastic, but for this purpose you could put some music on with a simple beat. Gently bounce the elastic to the beat as a group, as you continue change the movement you’re doing. You could try up, down, up, down, bicycle arms, swaying side to side and much more. The picture is of some of the TRS Teachers in Educating Dance training using the giant elastic to create large shapes. 
 

Swap hands! In dance class we always do things both sides. It often feels odd not to because one side will be stronger or more flexible than the other. With the hands this is known as Bilateral Integration and this can be improved by doing a prop exercise with the other hand too! For example, if you’re using scarves, encourage the group to swap hands half way through.
 
Lycra is great for resistance. A fun game for children and able adults… as a group, hold the lycra at the edges and pull it taught, but not completely tight. One person goes underneath and stretches the lycra in interesting shapes. You can also do a similar thing as a group sitting on the floor and making shapes with legs. 
 
The Smallest Movement Counts  in Active Armchairs and this is applicable whenever you’re working on fine motor skills. Small movements and gestures are great for brain breaks in the classroom at school or for a few minutes of hand training in a care home. I mentioned finger counts in my second blog post, but there are plenty of other things that can be done. You can try tapping each of the fingers on the thumb, putting songs on with simple rhythms and moving fingers in different ways or remembering and talking about signifying gestures such as pointing and waving. 

Egg and Spoon races can be achieved whilst standing or sitting. It just takes some imagination. The idea for egg and spoon races in Active Armchairs came from Steph during the Age of Creativity Festival last year. The theme was partnership and the egg and spoon passing sprung from that. 

 

I hope you’ve enjoyed reading these ideas and have learnt at least a little something. The plan is for 2019 to be the year of useful, informative and inspiring blog posts so please keep an eye out and see our News Page for more. 

Related Images:

Motor Skills Part Two

by

The second part in the motor skills blog series, fine motor skills. If you’re behind here are some links…

Section One: Intro and Gross Motor Skills
Section Two: Fine Motor Skills (This section)
Section Three: How to Maintain and Improve Motor Skills With Dance

Fine Motor Skills: these are smaller movements making use of smaller muscles, most commonly in the hands. Movement examples would include clenching a fist, wiggling toes or using tools such as cutlery or a computer mouse and keyboard.

In dance props are our main source of support in fine motor skill development and maintenance, but there are things that can be done without. When working with children in an Educating Dance (cross-curricular) class small gestures are wonderful at conveying meaning. I used them in our Dinosaurs themed classes when doing a warm up about excavation and fossils (see photo below). A dance club as a whole can also be a good opportunity for practice as participants often have to get changed and therefore use buttons, buckles and laces.

In our Active Armchairs classes we do the finger count in our first warm up dance. This is predominantly about the opening the  lungs (we shout our counts as the fingers open), but it is also great for fine motor skills, the circulatory system and generally waking bodies and minds for the class. It is one of the few essential movements that are found in Active Armchairs sessions, though the TRS Teachers still put their own spin on it.

Props make development and maintenance of fine motor skills much easier. Simply holding a relatively small object is beneficial.  Squeezing balls or egg shakers (the TRS Teachers have hundreds of these between them) takes the benefit to the next stage. I have a fun trick with scarfs where by you screw it up into one hand, hiding it away, then slowly open it to make a rose.

Fine motor skills, like gross motor skills, are key to freedom and self worth, but in different ways. Fine motor skills allow someone to press buttons, write and draw, point and make signifying gestures or sign. Without them, as with gross motor skills the ability to perform simple tasks is lost.  Children have a sense of excitement and pride when they receive a pen licence. An adult who can write down or draw their thoughts is able to express themselves artistically.

The next section is How to Maintain and Improve Motor Skills With Dance.

Motor Skills Part One

by

Our ‘Pull up a chair’ campaign is in full swing. It’s January so, on social media, we’re exploring the benefits of dance for older adults. As part of that I though I’d share the motor skills blog that’s been in the pipeline for a while now. Not just about adults, but it is about a huge benefit of dance…

Motor skills involve actions using muscles and, as this is an inherent part of dance, it is important that we know about them and how our teaching can affect them. There are two types of motor skill and both are very important for development and maintaining freedom. In this blog I’m going to explore each type, how we use them and how props can be used to great effect. It got a little bit detailed so I’ve split the post into three sections.

Section One: Gross Motor Skills (this section)
Section Two: Fine Motor Skills
Section Three: How to Maintain and Improve Motor Skills With Dance

 

Gross Motor Skills: these require the larger muscles, whole body movements and core stabilising. Movement examples include walking, jumping and rolling as well as hand eye co-ordination such as throwing or catching.

The gross motor skills are easily developed in a dance class with children and young people and when our youngest participants are left to move as they choose (see my improvisation blog), they will naturally choose to move in a way that develops their movements in the way they need. For example, 2 and 3 year olds can often be found with their heads on the floor whilst standing. This is a key part of their development and they do it without encouragement.

In Active Armchairs we need to give a little encouragement and provide opportunities for gross motor skill use. This is because the majority of our participants have reduced mobility, they might be nervous to produce large movements or they don’t believe they can do any large movements. A key part of Active Armchairs is that the smallest movement counts, but we still give everyone the choice to use larger movements if they feel able that day. For the majority of movements choices and alternatives are given. For example, an arm circle can be performed from the elbow or wrists. Some people prefer to just use the shoulders, but not the arm.

We use props to encourage people to do larger movements and develop their gross motor skills. For example, when giving someone a scarf they almost always wave it. This is a movement that involves the larger muscles of the arm and, even when sitting, core muscles are needed for stabilisation as well. The scarf often makes people do larger movements than they would without it and they rarely realise this is the case because they are enjoying themselves. We are always careful to keep an eye out for fatigue though because using props for gross motor skills is tiring. 

Other examples of props that have a similar effect are large pieces of material used for partner work (see photo), giant elastics, balls and bean bags (for throwing and catching rather than hand work), rhythm sticks and parachutes (see photo above of Active Armchairs at Age UK Folkestone).

Why are gross motor skills important?

They are needed for everyday movements such as standing, walking, getting dressed and lifting a kettle. These are known as Activities for Daily Living (ADLs) and are essential to keeping freedom. As someone’s ability to undertake the ADLs decreases, so often does their freedom. This can be devastating as it can affect choice, individuality, self care and self confidence. Gross motor skill maintenance is a key part of our social dance classes. Often, by the time we are in Active Armchairs, much of this ability has been lost. There are fun things that can be done though. The third section of this motor skills series has lots more ideas for you.

Gross motor skills are also key for some things that might be a little more unexpected such as writing (click to read my blog about ‘The Dancing Day’ for more about sky writing), screwing a lid on a jar or using scissors. This is because it is important to maintain the correct posture when completing these tasks. If gross motor skills aren’t developed early on, problems with writing and therefore academia can follow. At the same time, gross motor skill development can have a positive affect on handwriting.

The next section of my blog will be about Fine Motor Skills.

 

Related Images:

2018 Roundup

by

We have been busy bees in the office in the run up to Christmas. As well as celebrations taking place, we’ve had newsletters and Christmas cards to design, print and send. We’re feeling very Christmassy already and can’t wait for Christmas jumper day on Monday (look out for the photos!)

Our newsletter has been going out in all of our classes recently and is also found in the many Christmas cards that Becca and I sent on Monday. We hope everyone who has had the chance has enjoyed reading it, but I’m sure there are others out there who don’t have one so… we have included a copy below for everyone can have a read. Enjoy! Merry Christmas and A Happy New Year!

 

Related Images:

Improvisation

by

The TRS Teachers are always excited by new ideas and trying new things. We recently had our sharing days and the TRS Teachers met for the All Hands Meeting on Monday too so this has been even more apparent.
 
Improvisation is the term used for spontaneously moving. The movement isn’t choreographed, it is usually very creative and it almost always leads to an unexpected and exciting outcome.

Why Use Improvisation?

Improvisation can be used just for fun. In our Educating Dance and creative dance classes we often use improvisation to help find movements around a theme that can be used later in choreography. We can also use improvisation or brain health.
 
It has been proven in both recent and quite old studies that dance is great for brain health. I think the first time I realised just how good dance is for the brain was when I read ‘Use it or Lose it: Dance Makes you Smarter’ by Richard Powers. A fascinating article about a major study that found dance questioned whether physical and/or cognitive recreational activities were affective in protecting against dementia. The only physical activity that proved affective was dance.

The article (read it here: http://socialdance.stanford.edu/syllabi/smarter.htm) goes into greater depth and there is a lot to be said on this subject, but for the purpose of this blog post I will focus on one element… I believe that one of the reasons for the protection dance offers against dementia is the fact that improvisation often plays a key role in dance. Thinking on your feet whilst also taking part in physical activity and, therefore, with the respiratory system working harder seems to have great benefits. Quick thinking, random thinking and making decisions that are not carefully planned whilst the body is also physically moving seems to be excellent for the brain and neural pathways.

The Different Types of Improvisation

In our training for school staff we teach how to give ownership of the movement to the participants. By ensuring they know there is no wrong outcome because they are being creative, the dancers can choreograph themselves and can achieve extraordinary outcomes when supported in the right way. Improvisation to explore a theme and experiment with movement is a great way to do this. Teachers can support students in free improvisation that is often very personal and always open ended or in closed improvisation that has a much more specific aim. 

Ideas for Improvisation

Improvisation Journies are great fun and very exploratory. The teacher has a pre-planned and very simple journey Just a few lines with lots of description ideas. The journey could take place in multiple settings such as for an around the world theme (home to hot air balloon with words such as high, free and clouds, to jungle with words like trees, vines, logs to go under and over or animals. Back to the hot air balloon with the same or different adjectives and onto the desert with ideas such as hot sand under foot, quick skittish lizards and sand dunes and so on.) 
 
If the journey takes place in one setting you can go into more detail. This is great for a topic like Habitats. For a jungle theme the teacher can describe the habitat in much more detail. There are tall trees with branches that spread wide. Vines from the branches for monkeys to swing on. The playful monkeys are jumping, climbing, swinging and picking flies from each other. The flies move from giant plant to plant. There are some fallen trees and you have to go over some and under others.
 
The teacher has the option to be as specific or vague as they like and can alter their words each time they do the journey depending on how the group are responding or if they have done it before. 
 
Improvisation stories are a great way to include the class topic in a cross-curricular dance class and we use it a lot in Educating Dance. In our training, Dance: A Cross-curricular Approach, one of the first journies Sophie (our first ever TRS Teacher) and I did was Water’s Journey. The improvisation can be undertaken as a whole class moving as particles (as one, slowly and quickly etc. depending on the water’s current state), as an individual moving as the water moves through a story that can begin at any point (basically ice to sea to river to water system to tap etc. but this can and should be expanded upon) and can even include a staff member or guest as the sunshine (we always had Sunshine Sophie!) or within small groups with each group having previously been given the water state they will move as. It is a hugely diverse topic!
 
Story improvisation can become a great game for exploring a theme (such as Dinosaur Excavation), as a way to close a session (line up as a…) or as a cool down (Astronaut Suits). It could also be used within the school day if the story is appropriate. Please see my ‘Dancing Day’ blog post for more on that.
 
The first ever story improv I wrote was one I use just for fun as a game in dance clubs, but that is also great for gross motor skills development… I invented Pumpkin Soup whilst sitting on a train because there was a cafe at the station that had a similar name. Whilst the teacher says the story (and hopefully moves a little themselves as well) the children improvise. It’s quite a closed improvisation and due to that can be done with a whole class. I will create a full download for the story and instructions soon (in our new section of the website), but for now suffice to say that there’s a bowl of soup, a sudden mess and some sliding, tip toeing and sticky feet followed by a big clean up operation.
 
Carnival Dance is a wonderful way to inject colour and excitment into a class and works especially well within Active Armchairs. It can also be easily adapted for different themes. This is basically when the whole group moves, everyone is moving individually, but is occasionally inspired by someone else in the room. For carnival dance we would all have colourful feathers or scarves to dance with. When the facilitator sees something they particularly like they can commend the person who created it and incorporate it into their own movements. This also means that those who are shy, new to improvisation or struggle to improvise can still join in because ‘copying’ is welcomed and encouraged. An extension to this is when the facilitator begins to pick some of the movements and sequences them to choreograph a motif (small section of dance).
 
Although this is called carnival dance, the theme doesn’t have to be carnival. At Christmas I’ve used tinsle, jingle bells or silly hat voguing for a similar affect. 
 
Strike a Pose is a way to introduce a moment of improvisation into lots of different aspects of the dance class or school day in general. They could strike a pose at the end of a dance or exercise (you could give warning or spring it upon them depending on the group) or and the start before the music begins (this is a great way to get a group of young children to stay still!). 

It is an important part of travel / stop games (where the teacher shouts travel and then, after a while, stop and the participants move within a theme). It can also be done when improvising with props. It is very exciting when done with a giant elastic! 
 
 

Partner Improvisation is great for relationship building. Of course it can be done in schools and is brilliant for PSHE themed dance lessons, but my two favourite examples of partner improv are found in Active Armchairs, the dance together (holding hands as the participant leads the facilitator) and the Floating Material (a person at each end of a long piece of material wafting it in various ways). 

 

The photo on the left is of spontaneous improvisation with a participant who asked me to dance during Active Armchairs. We were supposed to be copying Georgie (leading her warm up in the background), but this particular lady became so excited by the class that she just got up and went for it! She led me and I had to follow. This is the best type of improvisation, when some one lets go and just goes for it. 

 
Improvisation is clearly a subject that excites me and I could go on and on about things we can do, but my biggest tip is to just give it a try. You’ll never guess what the group will come up with and in the highly unlikely event that they don’t know what to do, you can always move to the next bit more quickly or change tact slightly so the theme changes.

Related Images:

A Year in The Life

by

Steph, Level Three TRS Teacher, Level Two Active Armchairs Facilitator and Educating Dance Teacher (what a mouthful, she’s reached the highest levels possible at TRS!) was voted TRS Teacher of the year 2017 by TRS staff in November last year. As we are coming up to this year’s vote I asked her to write about her year and I’m pleased to say it’s really varied and has been very exciting!

This is how young dancers in Steph’s classes put their hand up to talk… in any funky position!

A Year in The Life of Steph…

One of my favourite things about my work with The Right Step Dance Company is the variety it brings each day. The past year has been no exception to this. Teaching all over Kent and Medway, I’ve covered thousands of miles, planned hundreds of classes and had a wonderful time sharing my love of dance and movement with hundreds of class participants for another year. 

Flicking through my diary, I’ve been reminded of some of the new schools and care homes I’ve visited this year amongst my regular classes. I’ve been teaching for The Right Step Dance Company for over 5 years, and whilst there are new classes and ‘one off’ sessions happening all the time, I have some brilliant regular classes too.  One of my longest running classes is the Friday afternoon Dance Club at Byron Primary School. I wrote a blog post (read it HERE) about their Dance club earlier in the year after their fantastic Summer Term. Often we get to see the development and enjoyment children have in their dance classes, but there isn’t always a show or opportunity to share the brilliant work the children have achieved. To overcome this, we decided to film the last class of term so they could share their achievements and experiences. I was so pleased to have been able to put this video together for the Dance Club participants at Byron Primary.

Another filming day, and definite highlight of my year, would have to be the BBC Filming Day at Hale Place Care Home. We were honoured and utterly thrilled to have been asked to be part of the filming as one of the home’s favourite activities. We continually see the positive impacts of Active Armchairs, but when others can really see and feel the benefits of the classes too and wave the Active Armchairs flag of joy it’s a brilliant feeling! Myself and Rebecca had a wonderful morning with the residents and carers, and I think its fair to say we both left that morning with big smiles on our faces!  Hale Place was a relatively new class for me at the time, and has now become one of my regular weekly classes. I have loved getting to know the residents even better over the past year, and look forward to another year of dancing and singing with everyone.

There have been great team moments throughout the year too, with our twice yearly All Hands Meetings and training sessions. We usually find ourselves teaching alone, so having the opportunity to meet with others teachers on the team at All Hands meetings means we can share experiences and advice. It’s also just a lovely opportunity to have a good catch up over a cup of tea and some biscuits!  We often have training within these meetings, and in our most recent one we had a session with confidence coach Andrea Barker.  The session was not only a great team bonding experience, but also enabled us to take strategies away to implement into our practice.  Catch us striking our power pose below!

I really enjoy the opportunity to work with other TRS teachers, and as a Level 3 TRS Teacher, I had the opportunity to mentor one of our newer teachers to the team this year.  When teachers join me in my classes for training, I love to share experiences and tips so it’s been great to be able to focus this into a mentoring process.  I know myself I find it very beneficial to be observed, and to share teaching practices with other teachers, so combing this with my experiences as a freelancer made for a great first mentoring experience.

As I reflect upon the year, It’s very hard to pin point a few favourite moments, as in all honesty every day and every class brings something magic. I mentioned the notion of ‘Magic Moments’ and how we capture them in classes in an All Hands meeting a few years ago and it has since become a wonderful way to share these little snippets of joy with everyone.  There are plenty of Magic Moment quotes to be found on TRS social media; Whether it’s a comment about the participants class experience, a child that expresses their enjoyment and pride at learning a new dance step, the older adult that taps along to the music for the first time or feedback from a teacher/carer about how a participants response is a breakthrough….we are so lucky to be a part of so much magical! Here are two of my most recent Magic Moments. 

“Year 5 at Singlewell Primary School have been learning Bhangra Dance this term and will be showing some of their moves in their assembly this week. They were looking fantastic in their dance class earlier in the week and we can’t wait to hear how it went!”
Steph

“Singing in the rain is my tune of the day today!! We had a great sing along at Fort Horsted and reminisced about the great Gene Kelly and his wonderful dancing in the rain and swinging around the lamppost!”
Steph

As the final school term of the year approaches, and I begin to think about Christmas classes and plans for the new terms in 2019 (!) I find myself feeling very grateful for having another great year of classes and experiences with the Company.  This year especially seems to have flown by…but maybe that’s because I’ve just been having too much fun dancing!

Related Images:

Proprioception and Vestibular Sense

by

Proprioception is the body’s unconscious ability to sense the position, location and movement of the body and it’s parts. In dance this is often referred to as spatial awareness. In ‘Every Child a Mover’, Jan White describes it as “An awareness of the body, knowing where our limbs and ‘edges’ are and where our body is in space.”
 
The Vestibular Sense refers to the body’s vestibular sensory system that monitors and adjusts it’s sense of balance and orientation to the world. This sense is what keeps the us upright while standing, sitting or walking and it is primarily located in the inner ear.
 
Together proprioception and the vestibular sense allow us to move purpose, grace and without knocking into things (sometimes!), but as with all our senses and most bodily functions, we have to learn how to use them and they can be developed and improved slightly throughout life. Babies and toddlers, have to develop these skills from scratch and they are still developing through primary school. Young people, teenagers through adolescence, often suffer temporary loss or impairment of proprioception and the vestibular sense.
 
In general, for young children developing these areas of body awareness is achieved by doing as many different movements in as many different ways as possible. This blog post will explore some specific ways in which we can support these areas of development and changing needs within our dance classes. This blog post does not refer to when there is a medical need for improvement. For these times professional medical advice should be sought. This blog post is designed to support those who work with children and young people.

Mariinsky’s Swan Lake The corps de ballet must be keenly aware of where their bodies are in space.

Balancing
Balance is associated with the vestibular system as well as the motor and visual systems more so than with proprioception, but they still work in tandem.
 

Travel stop is a good game to improve balance. The participants move around the room in a way that relates to the class theme or using a travelling movement such as a gallop. When the teacher shouts stop and/or holds up a sign to signify stop, the participants hold a still position in a similar way to musical statues. The next stage of this game is to call out a position for participants to get into. For example, in an opposites theme you might ask them to make a low shape and the next time a high shape. This is where the balance comes in, state that they need to be on one leg or show them the balance position you want them to do.

You can use balance to bring everyone back to focus anytime during the school day or at the end of a cool down as a calming item. Just ask the group to stand with their feet slightly apart (in ‘place’) and the  slowly rise up onto the balls of their feet. They could hold their arms out to the side or on the hips to help them. Closing eyes emphasises the affect on their balance development  as well as their focus.
 
Another fun balance game is sitting on a ball. This works with balls of lots of different sizes, but they can’t be spongey because then they squash flat. Ask the children to pick a ball and take it to their space. The aim is to sit on the ball for the duration of the song. If they find it easy the task can be developed for body parts or types of balance. This is great for a creative dance class where balls are used as a prop or for one of our ball skills classes (all sorts of ball props and creative dance coming together! Imagine soft squishy snowballs, shakey cat bells and giant balloon balls all in one very fun class for under 5s!).
 
Bare feet!
Have you ever wondered why babies prefer to be in bare feet? My daughter spends a great deal of time removing shoes and socks and she was one of the reasons I began learning more about the vestibular sense and proprioception because refereed to a lot when researching physical development in babies.
 

Going barefoot helps to map the body and, although many dance styles require shoes to be worn in class, tap, character and street come to mind, we can help children in their development by encouraging them to move barefoot in creative dance or for sections of a dance class.
 
 
Part of a creative dance class could explore different ways the feet come into contact with the floor… stamping, jumping, sliding, tip toes, feet edges (being extra careful!), light taps and stronger taps etc. Barefoot races with different forms of travelling such as running, hopping, galloping or slime slid
es (when the floor is covered in slime and you have to get through it but sometimes it’s slippery and then suddenly it’s sticky and then it’s back to slippery again).
 
Going barefoot can also apply to our Active Armchairs sessions with older adults, many of whom spend most of their lives in slippers or shoes. Perhaps we could organise a barefoot class with sensory boxes for the feet (sand or tiny fluffy pom poms), a giant elastic to signify the edge of the sea for dipping toes in and a ball to try and keep under the foot.
 
For a little bit more about Barefoot Babies you can read Dr Kacie Flegal’s article: 
http://www.naturalchildmagazine.com/1210/barefoot-babies.htm
 

Body pressure

This involves stimulating the receptors in the skin and is great for developing an inner ‘map’ of the body. Movements like rolling, crawling like a baby or a bear, army crawling, crab walking or being a worm or snake are great. All you need is an empty space like a dance studio or school hall!

Props can also help. Games with lycra such as when the group holds the lycra and an individual makes shapes underneath or all sitting around the lycra pushing the feet and hands up to make shapes.
 

 
Move With Others
As well as moving by themselves, children develop their vestibular sense by being moved by others. This includes everything from being thrown in the air by a fun uncle to giving and / or receiving a great big bear hug! This links in with body pressure (above).
 
Some rhymes and games can be done with a friend or as a group and these make a great brain break during the school day or a quick, related or unrelated section in a dance class. Some to try include Row, Row,Row Your Boat, Ring a Roses, In and Out The Dusky Bluebells and many of the songs that involve horses, but performed with a partner or sitting on an adults lap (perfect for our TRS Tots classes!). Try Mother, Father and Uncle John, This is the Way The Lady Rides or Horsey Horsey. 
 
Be Creative
In our school staff training programme, Dance: A Cross-curricular Approach, we teach staff how to give ownership of the movement to their pupils. Although this does make it a lot easier and more enjoyable for school staff who are teaching dance as a subject, it is also very beneficial for the pupils. It has been established that children learn through play and at their own pace. When developing body awareness, children have to go through a process in their own time.  A creative dance class supports this order of development because it both gives young children the opportunity to move in the way their body needs to move on that day and also includes sections of taught movement that provide examples of other things they could do.
 
 
 

Related Images:

Partnership

by

Written by Georgie Tedora, owner of The Right Step, South Kent, TRS Teacher and Active Armchairs Facilitator.

For the past 2 weeks we have been celebrating the Age of Creativity Festival. We know what this is, but perhaps you don’t? To give you a better idea here’s what Age UK said:

“The Age of Creativity provides leadership, profile, advocacy and infrastructure development for everyone who believes in the value of creativity for older people. Established in 2012 with funding from the Baring Foundation, the project aims to support professionals working in arts, health, culture, social care, academia, voluntary and community sectors to enable more older people to take part creative activities and enjoy improved health, wellbeing and quality of life.”

This year’s festival theme is partnership, TRS already do so much involving this, but we thought we’d go even further in celebration of the festival! More about what we did during the festival later. 

So, let’s start off with the basics….

What is partnership? To different people this can mean different things. It could be a spouse, it could be business partner, or even your ‘partner in crime’. To us partnership is one of the key aspects of The Right Step Dance Company. Just by going through some testimonials from participants, teachers and observers I have picked out so many words which all relate to partnership:

The Right Step Dance Company states in it’s executive summary that TRS “links companies, dance artists and participants, taking on administration and building relationships with those who love dance.” We are always looking to create new partnerships within our company. Creating these links allows this to happen. This has even passed onto our TRS teachers. When asked what partnership means to them here’s what some had to say:

“Working, thinking and creating together” – Georgia

“Partnership is working and communicating with one another or others in the community. This could be local, global or international.” – Becca G

“Working together to create opportunities together. Partnership is key in all aspects of life!” Georgie

Like I said, TRS use partnership on a daily basis, ever since the start. Here are some blasts from the Past that give some great examples of partnership in action!

Hale Place Care Solutions, Active Armchairs with Steph on BBC Filiming day

Age UK Folkestone, Active Armchairs with Alice on the very first day of classes for The Right Step South Kent

Montgomery Court, Social Dance with Georgie, John and Doff enjoying themselves

And here’s another great example of encouraging partnership within our classes:

“My favourite story is one you’ve all heard before… when a participant joined the circle at Valley View because I used the giant elastic. It was the first time she left her table to join the circle for me!” Rebecca Ashton, Company Director talking to TRS Teachers

TRS have always been able to understand the importance of partners within our Active Armchairs classes, avoiding the social isolation that can sadly occur for older adults. This is why we encourage all participants to join in our sessions, and for those who would prefer one-to-one within their own space, we offer that too. One to one still involves the contact and social aspects just on a smaller scale. Partnerships can be and are created anywhere and everywhere. Which is where the next part of the blog comes in…

For the past two weeks the TRS Teachers have been focusing on the theme of Partnership, and it’s even spread onto our schools classes too:

With partnership in mind, I’ve been tying my scarves together in Active Armchairs this week. It unites the group as we shake and wiggle and makes a for a great game of tug of war! Steph

“At Durland House we I asked the participants what partnership meant to them, and almost at the same time they all said ‘togetherness!’ We then had a fun game of the egg and spoon, encouraging team work, balance and focus. They were so good I thought I’d make it a little harder by using plastic balls too!’’ Georgie

“I am working on partnership with my reception class this week. They are very young and new to a dance class environment so I thought something simple like mirroring our partners movements and traveling across the space together in different ways would be a good idea to get them comfortable in the space and with each other.” Georgia at Burham Primary School

“At Hoo Primary we discussed partnership and what the word meant to the children. We also explored how people would work in partnership in a Circus (as that’s this terms theme). The two keywords that came up were Trust and Team Work. So we experimented with ways to use these two themes with the circus in mind and had lots of supportive movements and balances on the tight rope! We also had some very funny clowns who were working well as a team to make sure that no one dropped their imaginary juggling balls! We’ve added these into our Greatest Showman Dance” Steph

“We often finish a session with a mini meditation as part of our cool down to help centre ourselves and calm down from all of the excitement of dance so we can go home calmly and safely. Yesterday we did it holding hands to help calm each other. Wrotham Road” Alice

“Our theme at Hoo this term has been superheroes! We have been working in partners and the children had to pick a superhero each and create movements that fit the superheroes character. We then joined 2 partners up with each other to create longer dances and bigger teams together!” Becca G

“At Mereworth we have been doing street dance this term. We end the sessions with a team huddle up and shout ‘’Street Crew!’’ We have also worked on some secret handshakes (which aren’t so secret) to coincide with the partnership them which turned out so good that we added them onto our routine!” Georgie

Age of creativity festival has really allowed us to explore and expand our partnerships even further. We are looking forward to next year’s festival to see what that theme brings to our team!

Related Images:

1 2 3 4 5 6 7