Categotry Archives: Office News

Enhance – The Story So Far

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For those of you who are new to the TRS blog, welcome. To those who visit regularly,  I’m so excited to have this new strand for you!!

We have officially announced our brand new and exciting project, Enhance, although it’s been in the planning stages for over a year now. The team and I will be writing blogs throughout the project and I thought I’d start with an intro about what we’ve been doing so far. It’s been a journey with many twists and surprising turns that have lead us to something that Alice and I never expected when she first said to me, “I’ll do some Active Armchairs research.”

The very first step on this journey was to speak to the TRS Teachers. Alice and I chose the All Hands Meeting for this and we all mind mapped, drew, talked and got enthusiastic. The most important thing to come from this was that the participants should always be considered first because their well being is at the centre of everything we do. We talked about what is important to participants of Active Armchairs and ways in which we could carry out tests that would be most appropriate to them.

As I had a lot of experience with dance and project management, but little with research, I felt it would be a good idea to speak to some experts. I also went along to some events to find out more. Places and people who have influenced the project along the way include Medway Healthy Weight Summit 2018, Scott Elliot (Head of Medway Health and Wellbeing Services), Patricia Vella-Burrows (Pricipal Research Fellow, Sidney De Hann Research Centre), various staff members at University of Kent, Medway Dance Network and Medway and Kent Dance, Arts, Culture Health and Wellbeing Symposium. Without all of this input the project wouldn’t be what it is today.
 
Alongside this, Alice and I set about working out exactly what we wanted to ask. We settled upon the following questions.
 

I also decided to make the study as ‘robust’ as possible. I’ve become very used to the word, robust, as researchers use it a lot when they’re doing high quality research! It is important. The NESTA standards of evidence were recommended to me and I thought this was a great way to ensure people could trust the outcomes of the project. I’m hoping we will reach the very highest standard.

It also became apparent that there is a surprising amount of dance research out there, but it isn’t easy to find. I want the outcomes of the project to be easily found, understood and utilised, and I have some ideas in mind. As well as the report being available to all, we are also going to have a training day for Active Armchairs facilitators. This will be an unusual opportunity for everyone to get together, discuss, develop ideas and share practice. Alice and I will also be sharing how the results will influence Active Armchairs.

Somewhere in amongst all of this I met with Ian Farr, PhD Student at University of Kent. His work allies beautifully with our research aims and this was when the project began to swell and strengthen. Ian has an academic interest in the health and well being of older adults and how psychosocial factors may influence physical performance. His research will be completely independent of anything The Right Step do to ensure objectivity and to avoid bias. Simply put, we run classes and he does research about it. I won’t be there when he carries out any aspect of the study and he won’t be attending any classes.
 
After this we needed to find suitable care homes. They had to meet a few different criteria, but long story short, the chosen 5, who are kindly giving time and energy to make this happen are Ashley Gardens, Barton Court, Little Court, Warwick House and Woodstock. I’m sure their staff and residents will love the 20 Active Armchairs sessions we have planned for them!

We also have 3 facilitators, Steph, Becca G and I will be visiting on a weekly basis, except on testing weeks, and we can’t wait to get started. We’ll be planning sessions together and adapting them to the group each week.

We have a detailed plan,  we have the right people and we have the places. Next we will start the project. Research has just begun and sessions begin soon. We’ll keep you up dated, but do let us know what aspects of the project you want to hear about.

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Ofsted Influences

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The new Ofsted inspection framework draft was published in January 2019 and is currently in review. I might be getting ahead, but it’s important that we begin to think about how dance in schools can be influenced by it and how our extra curricular, cross-curricular and dance for physical activity classes will support schools on providing excellent dance provision. Although dance is a small part of the many things schools do, we want what we do to make a difference, not just to participants, but to the school as a whole. We are already doing great things within schools in Kent, this is just another way to improve what we do. 

You can find the inspection framework here: https://www.gov.uk/government/publications/education-inspection-framework-draft-for-consultation

Currently inspections do not focus heavily on sport in general, especially in short inspections, but they do look at cultural development and dance could be an indicator of positive participation in cultural activity. Schools can try international dance styles relating to the diverse backgrounds of pupils within the school (read this blog post about when we went to Greenvale Infants and danced familiar dances for pupils such as traditional Polish and Slavic dances), dance that celebrates National Days such as May Day (May Pole Dance or Morris Dance) or historical dance styles taught within our Educating Dance classes (Tudor Dance for example).

Extra curricular provision is something already considered by inspectors, (normally in relation to Pupil Premium and Sport Premium budgets) and this is something we can easily add to the school day. Dance clubs can be varied and tailored to the specific needs of the school. For example, if girls are not responding to PE within school time or if they have lower attendance of clubs, a confidence building dance club is perfect. Alternatively, if the school wants to encourage creativity, a Creative Dance Club (EYFS – KS2) or Choreography Club (KS3 – 4) would support this aim.

In terms of evidencing value for money, two of our company aims are

  • To provide quality, well organised, accessible dance opportunities for all.
  • To provide paid and voluntary work for dance professionals and to increase the recognition of dance teaching in the community as a career

Our pricing policy reflects this so schools know they can get high quality dance clubs at reasonable prices. We even have deals for long term bookings and MATs who book for multiple schools. Schools are able to make a profit from our classes easily, if they choose to, and this can be put towards other things. For more information about using PE and Sport Premium Funding for dance please read One Dance UK’s funding document, https://www.onedanceuk.org/programme/children-young-people/dance-in-schools/ and, if you would like to know how we can help specifically to make clubs successful, please see our blog post.

In her speech at Youth Sport Trust 2019 Conference, Ofsted’s Chief Inspector, Amanda Speilman, admits that currently inspections are heavily tilted towards data and says that the new framework will look at what matters to children, “What are they being taught and how? How are they being set up to succeed in the next stage of their lives?” Read the transcript here, https://www.gov.uk/government/speeches/amanda-spielman-at-the-youth-sport-trust-2019-conference

At TRS, the content of our classes, what children are being taught, has always been extremely important. We plan with the individual participants in mind, use school themes and topics and make sure participants learn best practice and teach safe dance technique that is appropriate to the type of class. Our dance teachers are not observed during Ofsted inspections as they aren’t faculty members, but that doesn’t stop the odd inspector enjoying a moment watching a happy dance class and it doesn’t mean the TRS Teachers aren’t working to high standards all the time. It does mean that our teachers are not teaching for tests and have to freedom to educate the whole child, preparing them for further dance education or life in general. There are a lot of blogs out there about how dance makes great people!

We must also look at how school teachers can provide great dance lessons during school time. Although we provide Educating Dance classes for schools, it is sometimes more appropriate for a school to provide training for their staff so they can deliver appropriate and effective dance classes themselves. In our training, Dance: A Cross-curricular Approach and Dance in the EYFS, we provide school staff with the tools and confidence to do this. Our cross-curricular flow chart gives them the framework they need to design and deliver high quality dance lessons. Dance can be a fantastic tool for improving how the curriculum is taught and is excellent for a thematic, creative approach.

In terms of monitoring, evaluation and impact,  the Educating Dance teachers are always happy to provide feedback and we can support the school on this. We also ask class participants for feedback at least once a year. Our CPD for school staff can also have an additional mentoring side to support staff and the SLT with evaluating progress. All of the TRS Teachers are up to date with the relevant legislation and this makes it easy for schools to ensure they have up to date records as well.

To find out more about the new framework and the EYFS in general, see Nursery World’s review of the plans.

https://www.nurseryworld.co.uk/nursery-world/news/1166634/education-inspection-framework-2019-key-changes-for-early-years

It is no secret that dance classes can provide for broad and rich learning. A varied approach to dance including physical activity, learning and development is key to a quality dance lesson. There are plenty of ideas within our blog, but we are just a phone call or email away if anyone would like advice about dance in schools. I have a passion for excellent dance education for all and, as Director of The Right Step, I’m able to pass this passion and my experience onto the TRS Teachers. We are here to help the schools (inc. EYFS settings), and other organisations, we work with meet the aims set by governing bodies such as Ofsted as well as aims set within schools themselves.

Arts 4 Dementia Conference

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Yesterday I attended the Arts 4 Dementia Best Practice Conference, “Towards Social Prescribing (Arts & Heritage) for the dementias”. It was jam pack day that left me thinking. There were also a huge amount of important thoughts and ideas shared by speakers so I thought I would share some aspects of the experience. 

We were welcomed by Veronica Franklin Gould who was the driving force behind the day and who is clearly extremely well-respected by her colleagues, I can see why. Immediately she left us with actions to complete… Providers of relevant activities should sign up to the Arts 4 Dementia website and notify the local NHS social prescribers. A clear message… share information and start a conversation. 

We not only heard from professionals working in the field, but also from Christine Maddocks about her experience living with vascular dementia. In Alexandra Coulter’s words she was “the voice of the individual in the system”. She inspired everyone and was an instant reminder to all of why we were there. 

One of the most relevant sections of the day for me was when two outstanding academics, Dr Daisy Fancourt and Professor Sebastian Crutch spoke. Relevant because we are about to run our own research into Active Armchairs, but also because the studies that have already been carried out can influence our provision and teaching.

Daisy talked about how the arts are multi modal (they have lots of components at play) so there are a wide variety of outcomes. She said “The more people engaged with these [arts] activities, the better their memory was years on.” A fact that can boost all providers of arts activities to anyone, if they are living with dementia or not. As dance artists and arts providers, we can also take other things from her speech. For example, we should try to include lots of different elements and approaches such as song, dance, conversation. Theses are already all important elements of Active Armchairs, but perhaps we can develop this further.

Having taken part in the Created Out of Mind training and I’ve also read about his research, I was keen to hear what Professor Sebastian Crutch had to say. He encouraged us to bring in people with a lived experience and find what works for them. The slide in the photo shows how different people are affected in different ways with different dementias. In summary, everyone is different and so the effect of the dementia is different too. 

He said “What people really need is continuity of support” and I would whole heartedly agree with this. I’ve seen the disappointment when a fantastic arts intervention has to end due to funding. It will be a difficult hurdle to jump. One that those spearheading social prescription seem to think will be solved by volunteers, but that’s another story. 

Sebastian also talked about the importance of support and community. Care is varied across the country, but he encourages people to learn about online support such as Facebook groups and said “Nothing local is not the same as nothing available.”

The comment that resonated with me most was when he said “The fact that it’s in the moment, or short-term, doesn’t make it irrelevant.” He was referring to the various graphs showing short-term and long-term improvements, some of which are only present during a session. I have always considered that, when working with anyone, the moment is just as important as the outcome. In fact, in dance, working to an outcome such as a performance can be stressful. A participatory project often has more benefits to health and well-being and the journey is key. 

After refreshments, we heard from Dr Michael Dixon, OBE GP. He speaks very highly of social prescription and is extremely positive about the initiative. He was inspiring. He said we’re “caught in the scissors of doom” (increasing costs and a reduction in funding), sees social prescription as a way out and believes that prevention is critical to the survival of our health services. I believe that it’s not only that we should think of; If we can prevent illness, we also prevent pain and suffering. 

The thinking is changing, why wait.
Dr Michael Dixon, OBE GP

The keynote speech was given by Baroness Greengross, a lady whose prestigious achievements, when listed, take up a lot of space. She clearly has a passion and knowledge for the subject and believes “The key is timing. We must guide people to the arts at the earliest stages.”

 

 


In plenary debate, chaired by Dr Marie Polley, we heard from six people (see list in photo) for five minutes each. Various points of views were heard and it was concluded that there was more conversation to be had and that a group for Arts and Dementia must be created as part of the network. I would go further in suggesting that, a group representing the artists should be created too. Social prescription will not work without them. 

“Where people’s’ souls are nurtured as well as their bodies.”
Professor Martin Green OBE FIAM FInstLM, FRSA, FIPSM, Cheif Executive Care England

“It really should be about conversation”
Georgia Chimbani, Dementia Lead, Association of Directors of Adult Social Services

“Biggest thing to happen in the arts for some time.”
Dr Richard Ings, Arts in Health, Wellbeing and Criminal Justice lead, Arts Council England.

Ian McCreath summed up in a way that I recognise as the approach used by many arts organisations and individuals to deliver their services, “Universal, but recognising that some people require additional support.” I agree, sessions only for those living with dementia and their carers have a place, but I believe in an inclusive approach whenever possible and appropriate. 

The afternoon was split into two sections of relevant examples. The first was entitled Arts for People Affected by Early-Stage Dementia, chaired by Dr Patricia Vella-Burrows who I’ve been lucky enough to hear speak and learn from a several times now. Examples from poetry and music were, of course of interest, especially Gemma Dixon’s story of Bob who played the organ before class. “His confidence was boosted, he had ability to speak in full sentences where he couldn’t before”.

 

 

The section about dance was most relevant though and it was a delight to hear from Dr Sophia Hulbert and neurophysiotherapist who has a love of dance. It was boosting for me that many of the things Sophia attributed to the success of her sessions (including items in the photo of ‘Conceptual Underpinning) are also found within Active Armchairs.

 

Sophia also did a quick demonstration. This was a fantastic way to get everyone reawakened after lunch and demonstrated how “Imagery can really empower movement”. In this case the imagery was also uplifting as it was about flying in a hot air balloon. I always enjoy seeing a conference of people who usually sit at a desk dancing! 

 

 

The second section in the afternoon gave everyone a better understanding about how Social Prescription can, and does, work. Nicky Taylor talked about how working in partnership has more impact, Dr Richard Hooker encouraged us to always remember the carers, Wendy Gallagher told us about the Handbook for engagement with people living with dementia and Bogdan Chiva Giurca, an extremely inspiring young man said that “One step is to bridge the inter generational gap”. Kathryn Gilfoy, Director at Resonate Arts, had many examples of different activities to share and I enjoyed her slide about the benefits of arts and person centred care.

Following this Professor Helen Chatterjee MBE discussed social isolation and how museums can help combat it. Her points about the research already carried out motivate artists to provide deep level cognitive stimulation to ensure that activities are truly engaging. I also picked up some more thoughts for the up coming Active Armchairs research project. 

Nigel Franklin, Chief Executive, Arts 4 Dementia, closed the day. In just a few minutes he left us with actions and inspirations.

“There are more people living with dementia now that ever have before.”
Nigel Franklin, Chief Executive, Arts 4 Dementia

It was one of those days that leaves your brain fuzzed with thoughts and ideas. I will act on them.

In terms of practical application, I believe there are some gaps that still need exploring, transport and fair payment for artists for example, but as an overall ideal for shifting prescription to preventative measures, I’m completely on board. Not just for people living with dementia though, if done well, Social Prescription could help everyone with their health and well-being and provide a cultural shift. We will see.

I do hope The Right Step will be found delivering prescribed dance activity, especially as what we currently offer is already of high quality and always developing to suit the needs of participants, but we will have to see how the commissioning side evolves and how we are able to be included.

I will conclude with an open invitation for anyone working in social prescribing to contact me. We must open conversation about how we can bring dance with a health and well-being agenda to the masses.

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Happy Birthday to Us!

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Yes, TRS is 9 years old today. I’m immensely proud of how far we’ve come and I’m extremely thankful to all of the amazing people who’ve helped me and the team along the way.
 
When I first had the business idea, there was even a name so my husband, Lawrence, thought of one. I sought business advice from The Princes Trust and they sent me my amazing mentor, Ian Goodwin. We needed teachers and along came Sophie, then Alix, then many other wonderful TRS Teachers. I need office help and Georgia was the one to help me let other people in. There were too many classes to manually look after so Kenny, Gavin and the team at Snapwire saved the day by designing our managment portal. When the ideas kept coming and there were gaps that needed to be filled with dance, James from Tremendous Design Agency helped to brand it all.
 
There have been dance collaborations, partnerships and funds galore. We love to work with Luci and Medway Council on things like Big Dance and other annual dance events. We’ve partnered with Sun Pier House for festivals and our had our fantastic office there. Funds for projects like Changes in the Current and The Sirens of Cetham seem like long ago, but they were so important to us and we still think about them. Funds from Age Concern lead to Active Armchairs training. The collaborations that come from Medway Dance Network are just as important and I’ve enjoyed hearing about everything that happens in Medway.
 
We headed out into Kent and worked with more schools and care homes. We appeared on the BBC (more than once!). When Georgie’s franchise launched last year I was made to think again of how far this has come… my tiny desk and one binder to multiple dance companies under the TRS brand.
 
I’m so grateful for all of this and promise to work hard to continue to bring dance to Kent and, who knows, further afield!
 
Thank you everyone for all that you do for TRS and long may it continue.
 
Rebecca x

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Is My Dance Teacher Qualified?

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How do you know if a dance teacher is qualified and experienced enough to teach what you’ve asked them for? Unfortunately,  the answer is complicated. There are many routes into dance teaching, just as there are many dance styles. In this blog post I will help you decide whether your dance teacher, or prospective dance teacher is suitable. This will also help trainee teachers work out what route they want to take for their career.
 
A combination off all of the following will make for a well-rounded dance teacher. A qualification alone doesn’t necessarily mean a good teacher and, as with all teaching, personality and passion are also a big factors!
 

Qualifications

In most professions these are the key to discovering someone’s suitability. In dance they go a long way to doing so, but you need to points 2 to 4 in mind as well.
 
If you want a class to lead to dance exams  you will need someone who has qualified with the relevant governing body. For community dance and creative dance you are much better off with someone who has a dance degree or, better yet, a DTALL. For dance with specialist groups such as older adults or people with disabilities a dance teacher should have further training in addition to their degree. This is normally part of their Continued Professional Development (CPD), but it could have been a specific part of their degree or as a qualification such as Green Candle Dance Company’s Diploma. For cross-curricular dance look for a degree as well as experience or training related to the curriculum because this is a very creative discipline that involves thinking outside the box as well as dance talent.
 
Examples of qualifications held by TRS Teachers are – BA (Hons) Degrees and Masters Degrees in dance, various dance teaching qualifications from ISTD, RAD etc.
 

Experience

Once a dance artist gains their initial qualification, they will need to start to gain experience.
 
This could be from a structured course such as Loop Dance Company’s DASP (Dance Artist Support Programme) or by going to another teachers’ lessons for observations and team teaching. At The Right Step we have teachers who have taken both routes. Neither is better than the other because both are so varied and everybody learns differently. Many teachers do a combination of both. It is at this stage that the dance artists discover their passions and focus their teaching. The more classes a teacher experiences, the better.
 
Excellent dance teachers will always be learning from and inspired by their peers and we have a mentoring programme to help teachers progress.
 

Legislation

Unfortunately there are surprisingly few things that a dance teacher must legally have and, unless they belong to a governing body or are teaching for a larger company such as TRS, there is probably no one to check up on them. That doesn’t mean dance teachers working alone don’t have what’s needed though. It just means the place they’re working in needs to check for it. If the class is outside of an organisation such as a school or care home, parents and participants should ask the dance teacher for the relevant things.
 
Every dance teacher must have a DBS check to work with children, even whilst gaining experience and not yet teaching themselves. Public Liability Insurance is just as important. If the dance teacher is working for you via a larger company, that company must hold sufficient Employer’s Liability Insurance. It is not sufficient for only one of these insurances to be in place.
 
General Data Protection Regulation (GDPR) is relatively new, but all dance teachers must be compliant. In addition to the TRS compliance documents, the TRS Teachers also have their own. 
 
Though there aren’t many legal requirements, there are lots of things that are good practice, and looking for these things is more likely to lead you to someone meeting higher teaching standards within class as well.
 
A good dance teacher will have First Aid training and Child Safeguarding Training. Safeguarding of Vulnerable Adults (SOVA) training is also available. These training sessions are good for the safety of their participants and the teachers themselves. They also provide teachers with the knowledge of procedures they should have in place.
 
An excellent dance teacher might also be a member of a governing body such as People Dancing and will have Policy and Procedure documents (inc. Risk assessments). Many of the TRS Teachers are members of organisations. The TRS Teachers don’t need their own policy and procedure documents for the work they do for The Right Step because they use ours.
 

Continued Professional Development (CPD)

Dance Teachers should always be learning and experiencing new things. The dance world is every changing and to be an excellent teacher they must stay current and inspired. To do this an excellent dance teacher will go to workshops, take short courses and do dance class for themselves. This is all at a cost to them and is one of the things that means an excellent dance teacher should be paid more.
 
The list of CPD is endless and ever-changing so it is difficult to know what is good to see on a CV. You can ask for certificates, check the course background (such as course provider and whether it is accredited) and ask the dance teacher what they learnt from it.
 
CPD helps dance teachers specialise. A dance teacher is best if they are able to teach where their passion lies.
 
CPD is essential in the dance world for learning more about specialist subjects such dance with specific mental health conditions, dance with neurological conditions such as Parkinson’s or dance in education such as cross-curricular dance. This is because their aren’t enough specialist accredited courses and, if there are, they are often very costly. A dance teacher has to balance their earning and their learning. If they are not paid enough, they are unable to continue to learn.
 
CPD doesn’t always have to be dance specific, it can inform practice, such as Chair Based Exercise Training or the Exercise to Music course. The Active Armchairs facilitators are Dementia Friends and this helps them support the people they work with in the right way. 
 
 
 
At The Right Step we strive for high quality dance for everyone. This means we keep our prices reasonable, paying the dance teachers fairly, and we support them in their careers. We work with trainee dance teachers at Level One right through to highly experienced practitioners at Level Three. We have progression routes for their careers and support them with our mentorship programme, annual reviews and celebrations of success. We are always welcoming new members to the team and if someone would like to get in touch they can find their local branch by clicking HERE
 

Inspirational People

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Collated and written by Georgie

This month’s theme for TRS was ‘Loving Dance’ and we thought we’d ask the TRS teachers why they love dance, who inspired them and who continues to do so.

TRS Director Rebecca Ashton:

“3 people stand out as having a huge effect on my career.

My 1st dance teacher, Debbie, is probably the reason I love dance so much. I clearly remember that she taught me friendship between dancers, we can work with other dance schools and didn’t have to be competitive. This sounds very much like how we work as a team of dance artists at TRS.

Another dance teacher at Collectivedance SchoolCollege, Sue, is completely the reason I went to university. She took me to Surrey uni in year 9 and I never looked back. From Sue I learnt that there are lots of different types of dance career, something that influences the way I work with dance teachers now. I also learnt how to dance on Pointe to Meatloaf and how to stand like a Flamingo with my leg by my head, but they’re different stories.

Finally Rachel Deadman, from thedancemovement.co.uk inspired me after Uni. She supported me into work and made me believe in a world of happiness for dance teachers.

Without these 3 ladies I wouldn’t be where I am now. I love them for the inspiration, opportunity and confidence they gave me, and I hope that at least some of the things they do can be seen in my work too.” 

 

Georgie, South Kent Franchise Owner, Level 3 TRS Teacher:

“I have always wanted to dance ever since I was little, that’s obvious to anyone who knows me, but keeping up with dance and being inspired to teach, that’s where I need to thank a lot of people.

When I was younger, for over 10 years I attended Prima Stage school, where so many teachers really boosted my love for dance and especially contemporary. Thanks to those teachers I then went onto college where I met Marie Forbes who made me really believe in myself and that I could make a career out of dance. She had so much passion and really knew how to inspire all those in her class and I knew that’s what I wanted to do.

I then went onto do the DASP with Loop Dance Company where I met Nina Atkinson and Georgia Smith, both of whom showed me the world of community dance. Again, two people who really inspired and pushed me into where I am today. One lesson I learnt which I use almost every day now is to throw myself into anything and you will either sink or swim, but at least this way you can succeed or learn how to.

Which brings me onto my next inspiration, Rebecca Ashton (Director of TRS). As soon as I heard about the work Rebecca did, I knew I wanted to join the company. I especially loved the idea of ‘Active Armchairs’ as this was something very close and personal to me. I have now worked for TRS for 5 years and every year I am growing more and more as a practitioner, being challenged and inspired by people who really believe in dance but also in me. I would not be where I am today without any of these people and I truly hope they know how grateful I am.”

 

 

Georgia, Adult Dance Coordinator and Level 2 TRS Teacher:

“The people that first inspired me were my teachers in secondary school because they opened up the possibilities of careers in dance and took me to some inspirational places and let me experience the impact dance can have. Without them I wouldn’t have applied to university. During university, I meet Nina Atkinson from Loop Dance Company and she introduced me to a world of endless possibilities, and this inspired me to always dream big and to always strive to inspire others. After my time at university, Loop opened doors to other companies, and they continue to inspire and support my ideas. My network of people is what inspire me and to them I will be forever grateful.”

 

Becca G, Schools Dance Coordinator and Level 2 TRS Teacher:

“Being a dancer from the age of 3 and having so many opportunities pop up from this has inspired and developed me into who I am today. My first inspiration and thanks go to my first dance teacher 

Lesley Munn. From a young age she could see something in me and from the age of 4 I was competing on stage. Miss Dorban is another inspiration of mine as despite her age she created/ choreographed/ envisioned/ taught my beautiful solo’s, duets and trios to compete. My love for performing on stage came from that and grew when I joined stage theatre society. I performed in a lot of musicals till sadly I was too old to continue in the shows but now I am very lucky to be able to choreograph for STS. From choreographing assisting and teaching for both Munn academy and STS I wanted to go to Uni to further my training. From Uni I was very lucky to find TRS. It was almost like fate as a friend already taught for TRS so without knowing I already had many links. So, I would like to thank all at Munn, STS and Rebecca from TRS for where I am today. Without them I would not be able to do what I love every day.”

 

Steph, Level 3 TRS Teacher:

“I am fortunate to have been inspired by many dance teachers, dance friends and visiting professionals during my training. Now, I would say most of my inspiration comes from the participants in my classes and those I dance with. Seeing someone in my class enjoy themselves is so incredibly rewarding and most definitely inspires me!

I love to dance because I believe it is inherent in us. When babies learn to stand, they dance and wiggle before they walk. The human body is made to move, and all movement no matter how big or small can be classed as Dancing…that’s awesome. When you add music to mix, I think that’s a wonderful recipe for the soul!”

Alix, Level 2 TRS Teacher:

“My dance teacher at secondary school inspired me, Diane Rogers, if it wasn’t for this lady, I do not think I would have fallen in love with dance as much as I did. She inspired me in many ways, working together as a team, being positive always, and always motivating me to be better. She always had time.  She’s a big part of why I teach today. 

Loop Dance Company also inspired me and introduced me to community dance. When I first met Marie her passion for dance and to teach was so powerful it shone through her. However talented us dancers were, she put time in, made us all feel good and made all classes enjoyable. I then joined LoopEd youth group where I met amazing people and met the rest of LOOP that continued to inspire me and give me confidence.”

 

There are so many people who inspire our teachers to this day and we hope we are inspiring the people we work with as well. The network we have not only within The Right Step but surrounding is so supportive that everyone can pursue the career they want to within dance. That’s why we are ‘Loving Dance’ this month!

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The TRS Teachers

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It’s February and this month our social media is all about loving dance. As well as dance, we also love our team here at The Right Step. I’m very lucky to work with such a fantastic group of people who are all passionate about dance. It’s not just their passion that makes them so brilliant though. In this blog post I’m going to talk about the things I love about them.
 
Queue the gushing blog post!

Enthusiasm

They have a passion for what they do and have worked very hard to get where they are. They couldn’t do this job if it didn’t excite them.

Teamwork

This is my favourite thing about TRS and it definitely makes the company special. Together we can do far more than an individual. The TRS Teachers share knowledge, like when Alice talked about phonics at The All Hands Meeting or when Steph mentors fellow staff members in her role as Level 3 TRS Teacher. They are there for each other on difficult occasions such as when we did a memory walk for Rose and they let each other know when they’ve done well such as when they nominate each other for Spot Awards.

Pride

We call special things that happen in class, Magic Moments and when I look back on them I can see how proud the TRS Teachers are of their work. I will always remember how proud Shanice was when she came away from her first ever taster at Friston House Care Home. I was there to support as it was her first, but she didn’t need it. The class was spectacular and I awarded her a Spot Award too. 

Happiness

The team love what they do and take the opportunity bring happiness to people who might not have much. We do have one team member who stands out as the bringer of  happiness though… Becca T’s happiness is contagious. She such a kind and sweet person, it rubs off on everyone whenever we see her!

Drive

They go above and beyond! For example, Steph initiated a video performance for the dancers at Byron Primary because their class was during the day. She edited it together and even wrote a blog post. It’s this kind of things that reassures me that the TRS Teachers are doing their best for the participants in class.

Commitment

I’ve noticed recently that TRS Teachers either come for a year and then change career or stay forever. Georgia has been working for TRS for 6 years and has been working in the office for just as many. Alix is the longest serving TRS Teacher. She’s been here since leaving University, that’s 8 years! Their commitment means that we don’t let down the people we work with and the participants get to keep the dance teacher they know and love.

Patience

Although we love what we do, it does require patience for many reasons. The TRS Teachers have oodels of patience with participants, each other and with me (when I disapear off to have a baby and then zoom back in with lots of ideas)! In Active Armchairs Facilitator Training, we talk about patience and Georgia leads a few practical exercises as well. It’s a great thing to practice because practice helps us to be mindful and truly present in the situation. 
 
This blog has been one of the quickest I’ve ever written. I have used 7 words to describe the TRS Teachers already and I’ve been writing for 12 minutes whilst waiting for Georgia’s post (insight into our busy lives!) I will stop there, but I could go on and on!
 
Happy Valentine’s to the TRS Teachers x

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2018 Roundup

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We have been busy bees in the office in the run up to Christmas. As well as celebrations taking place, we’ve had newsletters and Christmas cards to design, print and send. We’re feeling very Christmassy already and can’t wait for Christmas jumper day on Monday (look out for the photos!)

Our newsletter has been going out in all of our classes recently and is also found in the many Christmas cards that Becca and I sent on Monday. We hope everyone who has had the chance has enjoyed reading it, but I’m sure there are others out there who don’t have one so… we have included a copy below for everyone can have a read. Enjoy! Merry Christmas and A Happy New Year!

 

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Partnership

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Written by Georgie Tedora, owner of The Right Step, South Kent, TRS Teacher and Active Armchairs Facilitator.

For the past 2 weeks we have been celebrating the Age of Creativity Festival. We know what this is, but perhaps you don’t? To give you a better idea here’s what Age UK said:

“The Age of Creativity provides leadership, profile, advocacy and infrastructure development for everyone who believes in the value of creativity for older people. Established in 2012 with funding from the Baring Foundation, the project aims to support professionals working in arts, health, culture, social care, academia, voluntary and community sectors to enable more older people to take part creative activities and enjoy improved health, wellbeing and quality of life.”

This year’s festival theme is partnership, TRS already do so much involving this, but we thought we’d go even further in celebration of the festival! More about what we did during the festival later. 

So, let’s start off with the basics….

What is partnership? To different people this can mean different things. It could be a spouse, it could be business partner, or even your ‘partner in crime’. To us partnership is one of the key aspects of The Right Step Dance Company. Just by going through some testimonials from participants, teachers and observers I have picked out so many words which all relate to partnership:

The Right Step Dance Company states in it’s executive summary that TRS “links companies, dance artists and participants, taking on administration and building relationships with those who love dance.” We are always looking to create new partnerships within our company. Creating these links allows this to happen. This has even passed onto our TRS teachers. When asked what partnership means to them here’s what some had to say:

“Working, thinking and creating together” – Georgia

“Partnership is working and communicating with one another or others in the community. This could be local, global or international.” – Becca G

“Working together to create opportunities together. Partnership is key in all aspects of life!” Georgie

Like I said, TRS use partnership on a daily basis, ever since the start. Here are some blasts from the Past that give some great examples of partnership in action!

Hale Place Care Solutions, Active Armchairs with Steph on BBC Filiming day

Age UK Folkestone, Active Armchairs with Alice on the very first day of classes for The Right Step South Kent

Montgomery Court, Social Dance with Georgie, John and Doff enjoying themselves

And here’s another great example of encouraging partnership within our classes:

“My favourite story is one you’ve all heard before… when a participant joined the circle at Valley View because I used the giant elastic. It was the first time she left her table to join the circle for me!” Rebecca Ashton, Company Director talking to TRS Teachers

TRS have always been able to understand the importance of partners within our Active Armchairs classes, avoiding the social isolation that can sadly occur for older adults. This is why we encourage all participants to join in our sessions, and for those who would prefer one-to-one within their own space, we offer that too. One to one still involves the contact and social aspects just on a smaller scale. Partnerships can be and are created anywhere and everywhere. Which is where the next part of the blog comes in…

For the past two weeks the TRS Teachers have been focusing on the theme of Partnership, and it’s even spread onto our schools classes too:

With partnership in mind, I’ve been tying my scarves together in Active Armchairs this week. It unites the group as we shake and wiggle and makes a for a great game of tug of war! Steph

“At Durland House we I asked the participants what partnership meant to them, and almost at the same time they all said ‘togetherness!’ We then had a fun game of the egg and spoon, encouraging team work, balance and focus. They were so good I thought I’d make it a little harder by using plastic balls too!’’ Georgie

“I am working on partnership with my reception class this week. They are very young and new to a dance class environment so I thought something simple like mirroring our partners movements and traveling across the space together in different ways would be a good idea to get them comfortable in the space and with each other.” Georgia at Burham Primary School

“At Hoo Primary we discussed partnership and what the word meant to the children. We also explored how people would work in partnership in a Circus (as that’s this terms theme). The two keywords that came up were Trust and Team Work. So we experimented with ways to use these two themes with the circus in mind and had lots of supportive movements and balances on the tight rope! We also had some very funny clowns who were working well as a team to make sure that no one dropped their imaginary juggling balls! We’ve added these into our Greatest Showman Dance” Steph

“We often finish a session with a mini meditation as part of our cool down to help centre ourselves and calm down from all of the excitement of dance so we can go home calmly and safely. Yesterday we did it holding hands to help calm each other. Wrotham Road” Alice

“Our theme at Hoo this term has been superheroes! We have been working in partners and the children had to pick a superhero each and create movements that fit the superheroes character. We then joined 2 partners up with each other to create longer dances and bigger teams together!” Becca G

“At Mereworth we have been doing street dance this term. We end the sessions with a team huddle up and shout ‘’Street Crew!’’ We have also worked on some secret handshakes (which aren’t so secret) to coincide with the partnership them which turned out so good that we added them onto our routine!” Georgie

Age of creativity festival has really allowed us to explore and expand our partnerships even further. We are looking forward to next year’s festival to see what that theme brings to our team!

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Magic Moments! Sept 2018

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This year we have had so many Magic Moments from all our classes we thought we’d share them altogether for you to see. Whether it’s a small toe tap from an older adult participant who usually struggles or a standing ovation from a performance at the end of term, TRS have so many magic moments and we love to share them!

“I just wanted to say how lovely it was at Lulworth House today. Aga (the activities coordinator) was there and encouraging everyone to join in. She had made a point of encouraging people who wanted to take part to come into the room and so many people joined in, it was fantastic. What a difference. I thanked her for being so helpful.”
Clare

“I have just done my first taster at Friston house and it was amazing!! Rebecca and I both stood back and had a moment when they were all doing “it’s raining men” with their pompoms swinging them around their head. They were all having the best time and smiles all round. I have come out feeling buzzing!”
Shanice

“Year 5 at Singlewell Primary School have been learning Bhangra Dance this term and will be showing some of their moves in their assembly this week. They were looking fantastic in their dance class earlier in the week and we can’t wait to hear how it went!”
Steph

“I was so proud of my class at Burham last term. When it came to the performance they did so well that they even got a standing ovation from the audience!”
Georgia

“I went along to St William of Perth to cover a class. They had been learning a dance with Abi and couldn’t wait to show me! I was so Impressed they managed to remember the whole thing! I gave them a huge round of applause.”
Georgie

“A lady, Rose looked a little emotional at one point when we were dancing to “You are my sunshine” she said ‘My dad taught me this song… such happy memories. Thank you!”
Clare

“I played wonderful world last week at Gillingham Age UK and one lady in front of me was really expressing the words with her face. She was singing the words and doing the movements with so much emotion, closing her eyes singing and shaking her head. It was clear she must have been remembering a special moment, was lovely to watch and made me smile!”
Alix

“I just had my last class at Burham Primary School before the summer holidays and they had their performance. They went full out with make-up and costumes and the parents loved it! It was bittersweet as 6 of these as moving up to secondary school next year, so I had to get a photo!”
Shanice

“Singing in the rain is my tune of the day today!! We had a great sing along at Fort Horsted and reminisced about the great Gene Kelly and his wonderful dancing in the rain and swinging around the lamppost!”
Steph

“I was doing an around the world theme in my Active Armchairs classes recently. One lady is normally tired when I come in to do my sessions, but when I played ‘Tell me ma’ for my Irish Jig her feet went crazy! It looked like she was doing traditional Irish dancing, and everyone was so impressed!”
Georgie

“I heard a lady talk to another lady at Gillingham Age UK, and all I heard was ” if you’re happy, you have everything” and that just made me really smile today!”
Alix

“I was at Victory Care Home on Friday. There was a lady at the back occasionally joining in. My next part was doing a bit of one to one with egg shakers and the participants. When I come around and got to her she asked me if she could stand up and dance with me. I said yes and we had a lovely dance together.”
Becca G

“Last time I was at The Grove, we were talking about different dance styles that we enjoyed and perhaps did or wanted to do when we were younger. One was ballet and I mentioned about teaching and still taking lessons in ballet. This week I brought in my pointe shoes to show them all and we had a discussion about how you go on them, what age you should be before starting and where your weight is. I also gave them a cheeky little demo and they loved it and were very impressed and full of praise! Happy dancers and happy teacher (with a slightly Inflated ego).”
Alice

“When I was at Stoke on the last day of term, the school said that this was the busiest the clubs have ever been! It made me feel really proud and each term almost every child returns!”
Shanice

“I was at the Gillingham Age UK dementia class and this lovely lady Marie and I ended up having a one to one dance, as she said she felt comfortable being around me and loved dancing with me! Which was lovely!”
Abi

“I heard a lady talk to another lady at Gillingham Age UK, and all I heard was ” if you’re happy, you have everything” and that just made me really smile today!”
Alix

“We had a new lady Reenie, who initially seemed very distressed and kept calling out. However, I found that all she wanted was for someone to hold her hand or engage her visually. She literally stopped every time I held her hand and seemed to relax… if I caught her eye she also stopped calling out in distress too and would try to copy whatever I was doing.”
Clare

“Hi mini magic moment today, I covered Lulworth this morning and the residents were so welcoming, one even danced with me, full jive moves! He was impressed I could keep up! Another (who had been glaring at me the whole time but still joined in) made sure I had everything before I left and was telling me to make sure I stayed safe on my way to my next care home!”
Alice

Hearing about the TRS Teachers’ Magic Moments is one of the best things about our job so I’m sure we’ll have more to share soon!

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