Categotry Archives: How To

TRS Tots

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Last week we launched TRS Tots. We’ve been providing classes in the EYFS (Early Years Foundation Stage) for years, but now these sessions have an official logo and marketing material thanks to Tremendous Design Agency. We’re looking forward to holding more classes in nurseries, pre-schools, children’s centres and other places were babies, toddlers and young children gather. They’ll be sessions for parents / guardians to dance with their children and for the children to move without them from 2. 
 

Anyway, to celebrate,  I thought we would share some of our favourite things to do so here are some ideas from the TRS Teachers.

What’s in the bag prop task, getting them to guess what it is always fun.
Georgia
I second this! A bag full of egg shakers makes wonderful sounds when you wiggle it, creates conversation and excitement as they put a hand in to feel what could be in the bag and then produces big smiles as they pull out a brightly coloured prop that doubles up as an instrument! Magic!
Steph
 
I love to pick out a prop (whatever it maybe, scarf, balls etc) and watch them explore the different movements they can make using it.
Georgie
I like to use bubbles at the end of class. I ask them to dodge them and make funny shapes with there bodies or pop them. They always look forward to it.
Hayley
I love an improv story. It’s great to see the unexpected things that the dancers come up with. Even if I have some ideas, give them something I think is difficult or give them a really specific task, they’re always surprising me! Plus, there are so many things you can do with an improv story! I wrote a whole blog about it here… http://www.therightstepdc.co.uk/2018/11/21/improvisation/
Rebecca
 
Props props props… I love a prop and so do they. I also have a theme for each class… going to the park, winter weather (in winter), dancing in the rain, and then each theme leads to the movements we do such as splashing in puddles, lifting our knees high when walking thru snow, swishing the fallen leaves with our feet etc.
Clare
 
I’d say things that make noise or that are very tactile.
Georgia about classes for babies
 
I love to watch their eyes follow the noisy objects. Parents like to see how they react to different tactile objects too.
Rebecca
 
I used to use light up balls when I taught ball skills – turned the lights in the room off and then they just bounced the balls around
Katie
 

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Inspiration April

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This months our social media focus is Inspiration. We’re going along the lines of April, new and inspiring things! With this in mind, we thought we’d share what inspiration we use to plan some of our dance classes and Georgie has written a blog about it. It’s just a little introduction to the many things the TRS Teachers get up to, but it might be helpful when planning a dance lesson. Enjoy!

Written by Georgie, Manager of TRS South Kent

There are so many things you can use for your inspiration for dance classes, from the style of dance to the class topic of the term. Here at TRS we follow guidelines to help us both in our Educating Dance classes as well as our usual dance clubs.

 

You can start with the learning styles to develop your inspiration for your class. These include auditory, visual, kinesthetic (practical/learn by doing) and read write. This will help the dance teacher appeal to all pupils and their various learning styles. We also explore social inspiration and tactile inspiration alongside this. 

Visual is a popular one to use in our classes by our TRS facilitators. Using images throughout the lessons allows those who are visual learners to really grasp the idea. You can use images such as the stages of growth for a plant, the water cycle as well as lots more. Also using videos from online can be very useful and participants respond well to them.

 

For auditory inspiration you can use music, perhaps a particular song that you like or think that the participants will respond well too. Sounds like rain forest, the sea etc. would also work or you can even use some of the participants to create the sounds for the dance, using instruments, instruments they’ve made themselves or body parts like in Gumboot Dancing (photo on the right).

Tactile can be very exciting to use as inspiration, especially for younger ones. You can use different materials and express how they feel through movement, furry, shiny, slimy, rugged, squishy and so on. You can also bring in objects for the participants to explore and study like historical artefacts. Props are also used in many TRS classes and can come in all shapes and sizes, whether you buy pompoms or make your own jingle sticks, these are a great to get everyone involved. A TRS favourite is our tactile scarf. It is made from lots of different materials all tied together to make one giant scarf.

There are also a lot of practical ways to find inspiration for your dance class. These are experienced things so they are often things that are experienced elsewhere and brought into class in other ways such as current events. Fireworks (the bonfire flames in the photo on the left) is a fun theme. You may want to use certain holidays like Easter or even what’s happening around us now. For example, when The Greatest Showman came out everyone was so inspired and excited to use the ideas and music.

Styles of dance can be used as inspiration, you maybe looking at a world theme and you could explore different types of dance from around the world such as Latin, line dancing or Bollywood. Practical inspiration can be as closed or open as you want it to be when using it in your lessons or for your inspiration and it can be shown through other sorts of inspiration that is auditory, visual or tactile. 

Book Week is a great opportunity for us to use read/write inspiration. Books are always a useful tool.

Other ways to find inspiration can include things like focusing on a particular area you want to develop with your participants, for example motor skills, balance or extension. 

So as you can see there are so many ways to find inspiration for your dance class. You can also use a combination of these ideas, especially the learning styles as that way you can ensure that all your participants are gaining from the lesson. TRS teachers will always use a combination in their lessons. Start off with a focus and then you can extend and explore further.

We also love hearing your ideas at TRS, they inspire and challenge us as teachers and that always makes our classes interesting and enjoyable.

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Is My Dance Teacher Qualified?

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How do you know if a dance teacher is qualified and experienced enough to teach what you’ve asked them for? Unfortunately,  the answer is complicated. There are many routes into dance teaching, just as there are many dance styles. In this blog post I will help you decide whether your dance teacher, or prospective dance teacher is suitable. This will also help trainee teachers work out what route they want to take for their career.
 
A combination off all of the following will make for a well-rounded dance teacher. A qualification alone doesn’t necessarily mean a good teacher and, as with all teaching, personality and passion are also a big factors!
 

Qualifications

In most professions these are the key to discovering someone’s suitability. In dance they go a long way to doing so, but you need to points 2 to 4 in mind as well.
 
If you want a class to lead to dance exams  you will need someone who has qualified with the relevant governing body. For community dance and creative dance you are much better off with someone who has a dance degree or, better yet, a DTALL. For dance with specialist groups such as older adults or people with disabilities a dance teacher should have further training in addition to their degree. This is normally part of their Continued Professional Development (CPD), but it could have been a specific part of their degree or as a qualification such as Green Candle Dance Company’s Diploma. For cross-curricular dance look for a degree as well as experience or training related to the curriculum because this is a very creative discipline that involves thinking outside the box as well as dance talent.
 
Examples of qualifications held by TRS Teachers are – BA (Hons) Degrees and Masters Degrees in dance, various dance teaching qualifications from ISTD, RAD etc.
 

Experience

Once a dance artist gains their initial qualification, they will need to start to gain experience.
 
This could be from a structured course such as Loop Dance Company’s DASP (Dance Artist Support Programme) or by going to another teachers’ lessons for observations and team teaching. At The Right Step we have teachers who have taken both routes. Neither is better than the other because both are so varied and everybody learns differently. Many teachers do a combination of both. It is at this stage that the dance artists discover their passions and focus their teaching. The more classes a teacher experiences, the better.
 
Excellent dance teachers will always be learning from and inspired by their peers and we have a mentoring programme to help teachers progress.
 

Legislation

Unfortunately there are surprisingly few things that a dance teacher must legally have and, unless they belong to a governing body or are teaching for a larger company such as TRS, there is probably no one to check up on them. That doesn’t mean dance teachers working alone don’t have what’s needed though. It just means the place they’re working in needs to check for it. If the class is outside of an organisation such as a school or care home, parents and participants should ask the dance teacher for the relevant things.
 
Every dance teacher must have a DBS check to work with children, even whilst gaining experience and not yet teaching themselves. Public Liability Insurance is just as important. If the dance teacher is working for you via a larger company, that company must hold sufficient Employer’s Liability Insurance. It is not sufficient for only one of these insurances to be in place.
 
General Data Protection Regulation (GDPR) is relatively new, but all dance teachers must be compliant. In addition to the TRS compliance documents, the TRS Teachers also have their own. 
 
Though there aren’t many legal requirements, there are lots of things that are good practice, and looking for these things is more likely to lead you to someone meeting higher teaching standards within class as well.
 
A good dance teacher will have First Aid training and Child Safeguarding Training. Safeguarding of Vulnerable Adults (SOVA) training is also available. These training sessions are good for the safety of their participants and the teachers themselves. They also provide teachers with the knowledge of procedures they should have in place.
 
An excellent dance teacher might also be a member of a governing body such as People Dancing and will have Policy and Procedure documents (inc. Risk assessments). Many of the TRS Teachers are members of organisations. The TRS Teachers don’t need their own policy and procedure documents for the work they do for The Right Step because they use ours.
 

Continued Professional Development (CPD)

Dance Teachers should always be learning and experiencing new things. The dance world is every changing and to be an excellent teacher they must stay current and inspired. To do this an excellent dance teacher will go to workshops, take short courses and do dance class for themselves. This is all at a cost to them and is one of the things that means an excellent dance teacher should be paid more.
 
The list of CPD is endless and ever-changing so it is difficult to know what is good to see on a CV. You can ask for certificates, check the course background (such as course provider and whether it is accredited) and ask the dance teacher what they learnt from it.
 
CPD helps dance teachers specialise. A dance teacher is best if they are able to teach where their passion lies.
 
CPD is essential in the dance world for learning more about specialist subjects such dance with specific mental health conditions, dance with neurological conditions such as Parkinson’s or dance in education such as cross-curricular dance. This is because their aren’t enough specialist accredited courses and, if there are, they are often very costly. A dance teacher has to balance their earning and their learning. If they are not paid enough, they are unable to continue to learn.
 
CPD doesn’t always have to be dance specific, it can inform practice, such as Chair Based Exercise Training or the Exercise to Music course. The Active Armchairs facilitators are Dementia Friends and this helps them support the people they work with in the right way. 
 
 
 
At The Right Step we strive for high quality dance for everyone. This means we keep our prices reasonable, paying the dance teachers fairly, and we support them in their careers. We work with trainee dance teachers at Level One right through to highly experienced practitioners at Level Three. We have progression routes for their careers and support them with our mentorship programme, annual reviews and celebrations of success. We are always welcoming new members to the team and if someone would like to get in touch they can find their local branch by clicking HERE
 

Moon Zoom!

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In celebration of Science Week (this week) and Book Week (last week) I’m going to share the ideas behind one of my schemes of work, Moon Zoom! Something helpful and useful for school teachers and dance teachers looking to plan a cross-curricular dance class.

Moon Zoom was designed for Year 1 at Miers Court Primary School. They had been reading ‘Man on the Moon’ by Simon Bartram so this was the inspiration for the dance class. I added jumping as a dance focus and we talked about stamina and various health benefits throughout the term as well. You can read the original blog post here: http://www.therightstepdc.co.uk/2016/12/15/moon-zoom/ 

When planning a cross-curricular dance class, we (the Educating Dance teachers) use a process that’s very similar to that of a school teacher. We do start with a topic brainstorm and some research though. The schools give us such a varied selection of sometimes challenging subjects that we need to make sure we’re on the right track! 

My learning aims and objectives were broken down and differentiated before I continued my plan. It was important to me that I taught the class some facts about travelling to the moon, but I didn’t want to destroy the magic of the story either! I also wanted pupils to learn about choreography, experiment with how their body moves (the different ways to jump!) and to use their imagination. Other outcomes included a class dance that would be performed to friends and family at the end of term. 

Once I had the learning aims and objectives I could get on with piecing together the ideas I’d had in my earlier brain storm. I talk about these in the original blog post so I won’t go into detail, but this is the fun bit for us dance artists and we do often get carried away. To help me I had the TRS cross-curricular flow chart (this helps us structure the plan as a whole), I knew from training years ago how to structure a dance class and I also included starters and plenaries, important elements for lessons in schools. 

The first few lessons were mostly for exploring the theme, but we used almost all of the dance moves learnt and created in these lessons for the final dance as well. One of the things we did was a journey dance. I love improvisation journeys and my blog, Improvisation, says more about them. This improvisation was for our warm up from the second lesson and it was about how Bob (the astronaut) went from his house to the moon. Along the way the dancers had to show how Bob could cycle, click the engine on and move as though it were rumbling beneath them and look out at the stars in all the space. 

As the lessons progressed we included short rehearsal times so that the class could remember what they had done before. As they were year 1 I included a lot of improvisation so rehearsal was mostly to remember sequences rather than movements. 

I also introduced Year 1 to choreography. Although I do choreography from Year R, this group hadn’t done any before. We did alien movements, something deliberately very abstract, and I gave them lots of pictures from the book for inspiration. They only had to choreograph one movement each and I structured the main task (choreograph a motif) into lots of short tasks to make it easier for them. I was very pleased with the result and Year 1 were very proud of themselves. 

The final few sessions were for structuring the dance. This involved putting together all the elements learnt and rehearsed in previous weeks. Each group performed separately, but also as a whole class within the dance. There was even a gigantic rocket shape and a bow to finish! 

As well as teaching cross-curricular dance, we provide CPD for school teachers to give them the confidence and tools to teach really good cross-curricular dance classes themselves. Find out more here: CPD for School Staff

 

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Hoopsiration

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I’ve been looking at Pinterest a bit more recently and I stumbled upon lots of ideas for using hoops for movement play and dance. You might think that hoops are just for swinging around your hips or limbs, but there are lots of things to be done with them. Not just big, gross motor skills movements, there are a few ideas for more intricate movements and team building too! Hoops are not just for children and some of the ideas below can be adapted for our Active Armchairs classes. Hoops were very popular in the past and this could be a nostalgic prop that leads to lots of great conversation.

You can get hoops online and in many toy shops. They range in price and some of the more expensive ones even count how many times you swing it around. For the following ideas you just need simple circles, but do try and get some variation (different colours and sizes are great for tactile stimulation) and, if you’re using them with lots of children a lot of the time I’d recommend sturdy ones or you will end up replacing them very soon when they bend. If you want to be extra exciting you could get light up hoops, glow in the dark hoops or glitter hoops (Amazon). You can also buy travel hoops. I’ve not tried them myself, but they might be useful for a traveling dance teacher who already has a lot of props in the car!
 

Hoops and Tape

You can make hoops into all sorts of shapes, both on the floor or standing up, and you can keep them there by using tape. A wobbly climbing frame can be good for an adventure dance (see my improvisation blog for more on this) and has an extra element to the ones played with outside as they have to be careful not to squash it or wobble it too much. Tape the hoops together in a few places and use one on the floor to keep it sturdy for something 3d or make patterns on the floor for games like hop scotch, Lilly pads or islands.

Magic Doors

I love a magic door adventure… they can go anywhere and any when, they can go to real or imaginary places, they can take you through as you or someone/thing else and they can take one person or a team. You can use lots of different things to make a magic door because you just need to create a shape to walk through. Hoops are great if you want to send the whole class through because the teacher can hold them on their own and send themselves through afterwards. You could use a hoop as a floor magic door or a standing one. You could have a different colour hoop for a different adventure.

A similar idea for a circus theme that I just found on Pinterest… Fire Hoops! Decorate the hoop with fire shaped paper and dancers climb, jump or squeeze through. https://www.pinterest.co.uk/pin/222224562848847865/ 

Pick Up Hoop

This is good for in a classroom, during Active Armchairs, in small group time or in a hall based dance class because it’s very adaptable. It is also good for all ages and abilities. Each pair or group has a hoop and they sit cross legged around it. The dancers have to work together to lift the hoop, stand and end with the hoop above their heads. This can be made more difficult by using fewer and fewer fingers, starting from laying down or using a time limit to speed them up. It can be made simpler by starting from a crouch or chair and using more fingers.

Hoola Circuits

Create stations around the room as you would in ‘normal’ circuits. Different hoops could mean different things and you can position the hoops on lots of ways to signify what needs to be done at each station. Here are a few ideas to get you started, but circuits is always easily adapted to the class theme.
 
Mini lilly pads, excellent for core strength and gross motor skills (position the hoops on the floor and dancers frog hopfrom one to the other)
Hoop spin, great for hand eye co-ordination and fine motor skis (dancers hold hoops in one hand and stand back, spin the hoops and try to keep them upright)
Climb through, good for co-ordination and heart rate excitment (how many times can the dancer climb through their hoop)

Hungry Hippos or Blackhole Rescue, use this for core strength and co-ordination (put a pile of bean bags or similar objects/toys into the hoop that lies on the floor, put some tape on the floor a little way away. Dancers put their feet on the tape, crawl out to plank to collect a bean bag one at a time and put each bean behind them.)

Circle Dance

Not the circle dance we offer to care homes, this is literally choreograph a dance about circles! This idea can also be used at any age, for any ability. Use various techniques to help the dancers create movements that are circular both with and without the hoops, in them and around them, holding onto them and not. The circular movements are likely to be large and therefore developing gross motor skills. This is great for improving muscles needed for writing.
 

Try sequencing the movements into a motif and then developing them into a full choreography. The hoops make great backdrops and can be positioned on the floor to encourage interesting ways of travelling between motifs. There is a lot of fun to be had with this idea and all the ideas above could be used yo influence he choreography.

I’m going to be writing more blogs about props ideas, but in the meantime, if you want to read more about props you can see our Facebook page (Each month we share some ideas about props on Facebook) or click on the ‘props’ link below and it will show all of our blogs relating to props.

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Valentines Dance Props

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Georgie set my daughter and I a challenge this month…

Make some Valentine’s Day themed dance props! We had a lovely time making them and playing with them since. I’m not going to tell you how to make these things as there are lots of tutorials online about that already, but I would like to share some thoughts and ideas about what we did. 

 

 

Sensory Bottles

  • This is a fantastically versatile prop. You can change the size (imagine a massive one for team work!), the shape (small hand held ones for dancing with), the content and the colour (red gel food colouring was pretty) so they could fit almost any theme. 
  • These are a wonderful thing for Active Armchairs. For all the reasons they are good for sensory stimulation, but also because they are unusual, not patronising (providing the contents is appropriate) and they brighten up the room. 
  • We only had jars for this, but I do think plastic screw top bottles are better. The jars look very pretty, but they are a little heavy and might break if dropped. 
  • When making them hand eye co-ordination and fine motor skills were developing. 
  • You can dance with them, copy them or move after them as they roll away.
  • Play a version of eye spy and use the things in the bottle as inspiration for choreography. 

Hearts for Hopping!

  • I used an A4 bit of card and let Tiny One choose how to decorate them. We used crayons, stickers and paint. We could have made smaller ones and turned them into wands! 
  • They are also very versatile as shape, size, colour, decoration etc. can be changed. 
  • The texture of the puffy stickers is a nice addition to the game. Other textures could be used as well. 
  • They could also be used for aiming or landing pads and this would be fun for Active Armchairs
  • This would be a lovely thing for a cross-curricular approach. Each child in the class could make their own and they can bring them to dance as a magic spot or as part of a larger thing such as a long snake of hopping stones.

I enjoyed this challenge so if you have one to set us please get in contact and we’ll see what we can make! 

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Motor Skills Part Three

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The third and final blog post in my motor skills series… a few things to try!  If you missed them, please check out the previous blogs posts…
 
Section One: Gross Motor Skills 
Section Two: Fine Motor Skills
Section Three: How to Maintain and Improve Motor Skills With Dance (this section)
 
Some things to try! 
 

Use a giant elastic in a circle. The fact that you’re dancing as a team gets everyone excited and they forget themselves. This generally increases the size of movement at any age or ability and therefore is great for gross motor skills. The fact you’re also holding onto the elastic is great for strengthening fingers and, therefore, fine motor skills too. 

 
There are plenty of things to do with a giant elastic, but for this purpose you could put some music on with a simple beat. Gently bounce the elastic to the beat as a group, as you continue change the movement you’re doing. You could try up, down, up, down, bicycle arms, swaying side to side and much more. The picture is of some of the TRS Teachers in Educating Dance training using the giant elastic to create large shapes. 
 

Swap hands! In dance class we always do things both sides. It often feels odd not to because one side will be stronger or more flexible than the other. With the hands this is known as Bilateral Integration and this can be improved by doing a prop exercise with the other hand too! For example, if you’re using scarves, encourage the group to swap hands half way through.
 
Lycra is great for resistance. A fun game for children and able adults… as a group, hold the lycra at the edges and pull it taught, but not completely tight. One person goes underneath and stretches the lycra in interesting shapes. You can also do a similar thing as a group sitting on the floor and making shapes with legs. 
 
The Smallest Movement Counts  in Active Armchairs and this is applicable whenever you’re working on fine motor skills. Small movements and gestures are great for brain breaks in the classroom at school or for a few minutes of hand training in a care home. I mentioned finger counts in my second blog post, but there are plenty of other things that can be done. You can try tapping each of the fingers on the thumb, putting songs on with simple rhythms and moving fingers in different ways or remembering and talking about signifying gestures such as pointing and waving. 

Egg and Spoon races can be achieved whilst standing or sitting. It just takes some imagination. The idea for egg and spoon races in Active Armchairs came from Steph during the Age of Creativity Festival last year. The theme was partnership and the egg and spoon passing sprung from that. 

 

I hope you’ve enjoyed reading these ideas and have learnt at least a little something. The plan is for 2019 to be the year of useful, informative and inspiring blog posts so please keep an eye out and see our News Page for more. 

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Motor Skills Part Two

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The second part in the motor skills blog series, fine motor skills. If you’re behind here are some links…

Section One: Intro and Gross Motor Skills
Section Two: Fine Motor Skills (This section)
Section Three: How to Maintain and Improve Motor Skills With Dance

Fine Motor Skills: these are smaller movements making use of smaller muscles, most commonly in the hands. Movement examples would include clenching a fist, wiggling toes or using tools such as cutlery or a computer mouse and keyboard.

In dance props are our main source of support in fine motor skill development and maintenance, but there are things that can be done without. When working with children in an Educating Dance (cross-curricular) class small gestures are wonderful at conveying meaning. I used them in our Dinosaurs themed classes when doing a warm up about excavation and fossils (see photo below). A dance club as a whole can also be a good opportunity for practice as participants often have to get changed and therefore use buttons, buckles and laces.

In our Active Armchairs classes we do the finger count in our first warm up dance. This is predominantly about the opening the  lungs (we shout our counts as the fingers open), but it is also great for fine motor skills, the circulatory system and generally waking bodies and minds for the class. It is one of the few essential movements that are found in Active Armchairs sessions, though the TRS Teachers still put their own spin on it.

Props make development and maintenance of fine motor skills much easier. Simply holding a relatively small object is beneficial.  Squeezing balls or egg shakers (the TRS Teachers have hundreds of these between them) takes the benefit to the next stage. I have a fun trick with scarfs where by you screw it up into one hand, hiding it away, then slowly open it to make a rose.

Fine motor skills, like gross motor skills, are key to freedom and self worth, but in different ways. Fine motor skills allow someone to press buttons, write and draw, point and make signifying gestures or sign. Without them, as with gross motor skills the ability to perform simple tasks is lost.  Children have a sense of excitement and pride when they receive a pen licence. An adult who can write down or draw their thoughts is able to express themselves artistically.

The next section is How to Maintain and Improve Motor Skills With Dance.

Props Sharing

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Written by Rebecca, Georgia and Jess.

The TRS Teachers gathered for a props sharing to discuss ideas for using props in the dance class with different age groups and in different settings. The sharing was a great success and not only did we all come away with lots of ideas, we also made some props together such as egg shakers and a giant scarf. 

During the the sharing we explored different ways to use the props we had made and thought of ways we could use these as a way to engage participants and to enhance the dance class.

“I love using props in a dance class because they always enhance the session and they can be used as a tool to engage the participants and develop creative moment. I use props in classes for all ages as they provide a visual stimuli and provide the participants with something fun and tactile. Props can be used to create music (such as the shakers) or encourage a participant to move in a certain way. Some examples of this may be to reach a bean bag as high as you can, move a scarf softly through the space or squeeze a ball to see how tightly you can grip it before passing it to your neighbour. I had a wonderful time at the props session and cannot wait to put the ideas in to practice.”
Georgia Smith (Adult Dance Co-ordinator, Level Two TRS Teacher and Active Armchairs Facilitator)

Jess is the newest member of the TRS Team and is absorbing all the ideas she can. She said…

I have recently started teaching in different environments and with different age groups. This has made me think about the way I can incorporate props into my classes. Not only can props extend the movement and can help tell a story, they can also help participants interact with each other and with me, as their teacher, creating new bonds and friendships within the group. The sharing gave lots of ideas for how to make props and use them in classes in different ways. Props never just have one use, with a little imagination a scarf can turn into anything.

The sharing provided lots of ideas of how to make props and use them in classes in different ways.
Plastic eggs to make egg shakers
Material to sew together and make bean bags
Hoops to add ribbons to and wave

We created a prop shopping list that included teacher’s favourite props. Some of them are the basics that every TRS Teacher needs! 
Feathers
Scarves 
Ribbons
Cotton Snowballs
Pom Poms
Ball Pit Balls
Dusters (A great first prop, 50p for a  pack of 100!)
Bubbles

At The Right Step we love to share great practice and this is what the sharings are about, but we found the props sharing was also very therapeutic. Conversation and craft in a relaxed atmosphere. As well as sharing days between the TRS Teachers we also share props and ideas on our Facebook page, usually on a Wednesday, so keep an eye out HERE

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Fortnite Fever

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Written by Georgie, franchise owner, TRS Teacher and Active Armchairs Facilitator.

Have you heard the ‘Hype’? Figured out the ‘Floss’? Or maybe you’ve just discovered the ‘Dab’? Are any of these words ringing a bell?

If, like me, you wondered what on earth a lot of the students in your classes are talking about then here’s a little insight into the world of ‘Fortnite’ (emphasis on the little!)

A few months ago, I heard of this brand new game coming out which a lot of people were excited for. I had no idea it would start coming up in almost every dance class I taught! The basics of the game is a little like Call of Duty (a shooting game), but friendlier and for younger audiences. For example, when I attempted to play, I was running around with a giant lollipop!

But I’m a dancer, not a gamer… so how does this relate to dance? Well apparently, there are these things called ‘emotes’ which are taunts that you can perform to another player if you beat them. This is supposed to tease the other player. Now, I don’t know about you, but I’m just used to the old ‘ner, ner, ner’? Anyway, there are so many and almost all of them are some form of dance! I thought I’d give you the top 5 (and the most common ones I see) within the dance class, and who knows you could come across as a really cool dance teacher! I thought I’d give you a bit of comedy with my attempts alongside the originals for a giggle!

So we’ll start at number 5: ‘’Orange Justice”

This was created by a player of Fortnite who entered a competition to enter his dance as an emote for fortnite! I don’t think he was the overall winner but the makers liked it so much they decided to keep it! The ‘orange’ is simply because he was wearing orange in his video. It involves basically swinging your arms around whilst awkwardly bending your knees in odd angles (that’s the best way to describe it!) It’s easier to just take a look.

Number 4: The Floss

Also known as ‘Backpack Kid’, The Floss was created by said backpack kid in America. The idea is to swing your arms side to side (like you’re flossing) and wiggle you’re hips at the same time! Oh and don’t forget to have the complete blank expression while you do it!

Number 3: Hype

Hype is also called ‘Shoot Dance’ and comes from a music video from BlocBoy JB. This involves hopping up and down on one leg whilst pushing your arms forward by your side then changing to just one arm punching from the elbow. It’s better than it sounds!

Number 2: The Electro Shuffle

Much more dancey than the others, The Electro Shuffle involves the classic ‘shuffle’ that was created mainly for ‘rave’ music purposes in the 1980’s. This actually took longer than 30 seconds to learn!

Finally I had to finish with: Fresh!

The classic dance move for anyone around in the 90’s. Fresh comes from the show the Fresh Prince of Bel Air. The cousin in the show ‘Carlton’ created this move and has become his signature move. It’s fun and free! Just enjoy yourself…. And don’t forget to stick on Tom Jones in the background!

 

 

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